Taj
Mahal was Hindu Temple “Tejo Mahalay” not built by any Mughal ruler :
108 Proofs [Must Read and Share ! Please Spend your few minutes of time
to learn and s
pread the truth which history text books and media doesn't show]
Taj Mahal was
Hindu Temple “Tejo Mahalay” the temple of shiva which was destroyed by
mugals(Muslims) and changed a bit and called it their structure. Most
evident of such str
uctures is Taj Mahal–a structure supposedly
devoted to carnal love by the “great” moghul king Shah Jahan to his
favorite wife Mumtaz Mahal. Please keep in my mind that this is the same
Shah Jahan who had a harem of 5,000 women and the same Shah Jahan who
had a incestuous relationship with his daughter justifing it by saying,
‘a gardner has every right to taste the fruit he has planted’! Is such a
person even capable of imagning such a wondrous structure as the Taj
Mahal let alone be the architect of it?
The answer is no. It cannot
be. And it isn’t as has been proven. The Taj Mahal is as much a Islamic
structure as is mathematics a muslim discovery! The famous historian
Shri P.N. Oak has proven that Taj Mahal is actuallyTejo Mahalaya– a shiv
temple-palace. His work was published in 1965 in the book, Taj Mahal –
The True Story. However, we have not heard much about it because it was
banned by the corrupt and power crazed Congress government of Bharat who
did not want to alienate their precious vote bank–the muslims.
[youtube hv3rAVuBU1s]
After reading Shri Oak’s work which provides more than adequate
evidence to prove that Taj Mahal is indeed Tejo Mahalaya, one has to
wonder if the government of Bharat has been full of traitors for the
past 50 years! Because to ban such a book which states only the truth is
surely a crime against our great nation of Bharat.
The most
valuable evidence of all that Tejo Mahalaya is not an Islamic building
is in the Badshahnama which contains the history of the first twenty
years of Shah Jahan’s reign. The writer Abdul Hamid has stated that Taj
Mahal is a temple-palace taken from Jaipur’s Maharaja Jaisigh and the
building was known as Raja Mansingh’s palace. This by itself is enough
proof to state that Tejo Mahalaya is a Hindu structure captured,
plundered and converted to a mausoleum by Shah Jahan and his henchmen.
But I have taken the liberty to provide you with 109 other proofs and
logical points which tell us that the structure known as the Taj Mahal
is actually Tejo Mahalaya.
There is a similar story behind Every
Islamic structure in Bharat. They are all converted Hindu structures. As
I mentioned above, hundereds of thousands of temples in Bharat have
been destroyed by the barbaric muslim invaders and I shall dedicate
several articles to these destroyed temples. However, the scope of this
article is to prove to you beyond the shadow of any doubt that Taj Mahal
is Tejo Mahalaya and should be recognized as such! Not as a monument to
the dead Mumtaz Mahal–an insignificant sex object in the incestous Shah
Jahan’s harem of 5,000.
Another very important proof that Taj Mahal
is a Hindu structure is shown by figure 1 below. It depicts Aurangzeb’s
letter to Shah Jahan in Persian in which he has unintentionally
revealed the true identity of the Taj Mahal as a Hindu Temple-Palace.
Refer to proofs below.
Proofs follow below:
1.The term
Tajmahal itself never occurs in any mogul court paper or chronicle even
in Aurangzeb’s time. The attempt to explain it away as Taj-i-mahal is
therefore, ridiculous.
2.The ending “Mahal” is never muslim
because in none of the muslim countries around the world from
Afghanistan to Algeria is there a building known as “Mahal”.
3.The unusual explanation of the term Tajmahal derives from Mumtaz
Mahal, who is buried in it, is illogical in at least two respects viz.,
firstly her name was never Mumtaj Mahal but Mumtaz-ul-Zaman i and
secondly one cannot omit the first three letters “Mum” from a woman’s
name to derive the remainder as the name of the building.
4.Since the lady’s name was Mumtaz (ending with ‘Z’) the name of the
building derived from her should have been Taz Mahal, if at all, and not
Taj (spelled with a ‘J’).
5.Several European visitors of Shahjahan’s time allude to
the building as Taj-e-Mahal is almost the correct tradition, age old
Sanskrit name Tej-o-Mahalaya, signifying a Shiva temple. Contrarily
Shahjahan and Aurangzeb scrupulously avoid using the Sanskrit term and
call it just a holy grave.
6.The tomb should be understood to
signify Not A Building but only the grave or centotaph inside it. This
would help people to realize that all dead muslim courtiers and royalty
including Humayun, Akbar, Mumtaz, Etmad-ud-Daula and Safdarjang have
been buried in capture Hindu mansions and temples.
7.Moreover, if the Taj is believed to be a burial place, how can the term Mahal, i.e., mansion apply to it?
8.Since the term Taj Mahal does not occur in mogul courts it is absurd
to search for any mogul explanation for it. Both its components namely,
‘Taj’ and’ Mahal’ are of Sanskrit origin.
Temple Tradition
9.The term Taj Mahal is a corrupt form of the sanskrit term TejoMahalay
signifying a Shiva Temple. Agreshwar Mahadev i.e., The Lord of Agra was
consecrated in it.
10.The tradition of removing the shoes
before climbing the marble platform originates from pre Shahjahan times
when the Taj was a Shiva Temple. Had the Taj originated as a tomb, shoes
need not have to be removed because shoes are a necessity in a
cemetery.
11.Visitors may notice that the base slab of the
centotaph is the marble basement in plain white while its superstructure
and the other three centotaphs on the two floors are covered with
inlaid creeper designs. This indicates that the marble pedestal of the
Shiva idol is still in place and Mumtaz’s centotaphs are fake.
12.The pitchers carved inside the upper border of the marble lattice
plus those mounted on it number 108-a number sacred in Hindu Temple
tradition.
13.There are persons who are connected with the
repair and the maintainance of the Taj who have seen the ancient sacred
Shiva Linga and other idols sealed in the thick walls and in chambers in
the secret, sealed red stone stories below the marble basement. The
Archaeological Survey of India is keeping discretely, politely and
diplomatically silent about it to the point of dereliction of its own
duty to probe into hidden historical evidence.
14.In India
there are 12 Jyotirlingas i.e., the outstanding Shiva Temples. The
Tejomahalaya alias The Tajmahal appears to be one of them known as
Nagnatheshwar since its parapet is girdled with Naga, i.e., Cobra
figures. Ever since Shahjahan’s capture of it the sacred temple has lost
its Hindudom.
15.The famous Hindu treatise on architecture
titled Vishwakarma Vastushastra mentions the Tej-Linga amongst the
Shivalingas i.e., the stone emblems of Lord Shiva, the Hindu deity. Such
a Tej Linga was consecrated in the Taj Mahal, hence the term Taj Mahal
alias Tejo Mahalaya.
16.Agra city, in which the Taj Mahal is
located, is an ancient centre of Shiva worship. Its orthodox residents
have through ages continued the tradition of worshipping at five Shiva
shrines before taking the last meal every night especially during the
month of Shravan. During the last few centuries the residents of Agra
had to be content with worshipping at only four prominent Shiva temples
viz., Balkeshwar, Prithvinath, Manakameshwaran d Rajarajeshwar. They had
lost track of the fifth Shiva deity which their forefathers worshipped.
Apparently the fifth was Agreshwar Mahadev Nagnatheshwar i.e., The Lord
Great God of Agra, The Deity of the King of Cobras, consecrated in the
Tejomahalay alias Tajmahal.
17.The people who dominate the Agra
region are Jats. Their name of Shiva is Tejaji. The Jat special issue
of The Illustrated Weekly of India (June 28,1971) mentions that the Jats
have the Teja Mandirs i.e., Teja Temples. This is because Teja-Linga is
among the several names of the Shiva Lingas. From this it is apparent
that the Taj-Mahal is Tejo-Mahalaya, The Great Abode of Tej.
Documentary Evidence
18.Shahjahan’s own court chronicle, the Badshahnama, admits (page 403,
vol 1) that a grand mansion of unique splendor, capped with a dome
(Imaarat-a-Alis han wa Gumbaze) was taken from the Jaipur Maharaja
Jaisigh for Mumtaz’s burial, and the building was known as Raja
Mansingh’s palace.
19. The plaque put the archealogy department
outside the Tajmahal describes the edifice as a mausoleum built by
Shahjahan for his wife Mumtaz Mahal, over 22 years from 1631 to 1653
That plaque is a specimen of historical bungling. Firstly, the plaque
sites no authority for its claim. Secondly the lady’s name was
Mumtaz-ulZamani and not Mumtazmahal. Thirdly, the period of 22 years is
taken from some mumbo jumbo noting by an unreliable French visitor
Tavernier, to the exclusion of all muslim versions, which is an
absurdity.
20. Prince Aurangzeb’s letter (Refer to Figure 1
above) to his father, emperor Shahjahan, is recorded in atleast three
chronicles titled Aadaab-e-Alamgi ri, Yadgarnama, and the
Muruqqa-i-Akbar abadi (edited by Said Ahmed, Agra, 1931, page 43,
footnote 2). In that letter Aurangzeb records in 1652 A.D itself that
the several buildings in the fancied burial place of Mumtaz were seven
storeyed and were so old that they were all leaking, while the dome had
developed a crack on the northern side. Aurangzeb, therefore, ordered
immediate repairs to the buildings at his own expense while recommending
to the emperor that more elaborate repairs be carried out later. This
is the proof that during Shahjahan’s reign itself that the Taj complex
was so old as to need immediate repairs.
21. The ex-Maharaja of
Jaipur retains in his secret personal KapadDwara collection two orders
from Shahjahan dated Dec 18, 1633 (bearing modern nos. R.176 and 177)
requestioning the Taj building complex. That was so blatant a usurpation
that the then ruler of Jaipur was ashamed to make the document public.
22. The Rajasthan State archives at Bikaner preserve three other
firmans addressed by Shahjahan to the Jaipur’s ruler Jaisingh ordering
the latter to supply marble (for Mumtaz’s grave and koranic grafts) from
his Makranna quarris, and stone cutters. Jaisingh was apparently so
enraged at the blatant seizure of the Tajmahal that he refused to oblige
Shahjahan by providing marble for grafting koranic engravings and fake
centotaphs for further desecration of the Tajmahal. Jaisingh looked at
Shahjahan’s demand for marble and stone cutters, as an insult added to
injury. Therefore, he refused to send any marble and instead detained
the stone cutters in his protective custody.
23. The three
firmans demanding marble were sent to Jaisingh within about two years of
Mumtaz’s death. Had Shahjahan really built the Tajmahal over a period
of 22 years, the marble would have needed only after 15 or 20 years not
immediately after Mumtaz’s death.
24. Moreover, the three
mention neither the Tajmahal, nor Mumtaz, nor the burial. The cost and
the quantity of the stone also are not mentioned. This proves that an
insignificant quantity of marble was needed just for some supercial
tinkering and tampering with the Tajmahal. Even otherwise Shahjahan
could never hope to build a fabulous Tajmahal by abject dependence for
marble on a non cooperative Jaisingh.
European Visitor’s Accounts
25. Tavernier, a French jeweller has recorded in his travel memoirs
that Shahjahan purposely buried Mumtaz near the Taz-i-Makan (i.e.,`The
Taj building’) where foriegners used to come as they do even today so
that the world may admire. He also adds that the cost of the scaffolding
was more than that of the entire work. The work that Shahjahan
commissioned in the Tejomahalaya Shiva temple was plundering at the
costly fixtures inside it, uprooting the Shiva idols, planting the
centotaphs in their place on two stories, inscribing the koran along the
arches and walling up six of the seven stories of the Taj. It was this
plunder, desecrating and plunderring of the rooms which took 22 years.
26. Peter Mundy, an English visitor to Agra recorded in 1632 (within
only a year of Mumtaz’s death) that `the places of note in and around
Agra, included Taj-e-Mahal’s tomb, gardens and bazaars’. He, therefore,
confirms that that the Tajmahal had been a noteworthy building even
before Shahjahan.
27. De Laet, a Dutch official has listed
Mansingh’s palace about a mile from Agra fort, as an outstanding
building of pre shahjahan’s time. Shahjahan’s court chronicle, the
Badshahnama records, Mumtaz’s burial in the same Mansingh’s palace.
28. Bernier, a contemporary French visitor has noted that non muslim’s
were barred entry into the basement (at the time when Shahjahan
requisitioned Mansingh’s palace) which contained a dazzling light.
Obviously, he reffered to the silver doors, gold railing, the gem
studded lattice and strings of pearl hanging over Shiva’s idol.
Shahjahan comandeered the building to grab all the wealth, making
Mumtaz’s death a convineant pretext.
29. Johan Albert
Mandelslo, who describes life in agra in 1638 (only 7 years after
mumtaz’s death) in detail (in his Voyages and Travels to West-Indies,
published by John Starkey and John Basset, London), makes no mention of
the Tajmahal being under constuction though it is commonly erringly
asserted or assumed that the Taj was being built from 1631 to 1653.
Sanskrit Inscription
30. A Sanskrit inscription too supports the conclusion that the Taj
originated as a Shiva temple. Wrongly termed as the Bateshwar
inscription (currently preserved on the top floor of the Lucknow
museum), it refers to the raising of a “crystal white Shiva temple so
alluring that Lord Shiva once enshrined in it decided never to return to
Mount Kailash his usual abode”. That inscription dated 1155 A.D. was
removed from the Tajmahal garden at Shahjahan’s orders. Historicians and
Archeaologists have blundered in terming the insription the Bateshwar
inscription when the record doesn’t say that it was found by Bateshwar.
It ought, in fact, to be called The Tejomahalaya inscription because it
was originally installed in the Taj garden before it was uprooted and
cast away at Shahjahan’s command.
A clue to the tampering by
Shahjahan is found on pages 216-217, vol. 4, of Archealogiical Survey of
India Reports (published 1874) stating that a “great square black
balistic pillar which, with the base and capital of another pillar….now
in the grounds of Agra, …it is well known, once stood in the garden of
Tajmahal”.
Missing Elephants
31. Far from the building
of the Taj, Shahjahan disfigured it with black koranic lettering and
heavily robbed it of its Sanskrit inscription, several idols and two
huge stone elephants extending their trunks in a welcome arch over the
gateway where visitors these days buy entry tickets. An Englishman,
Thomas Twinning, records (pg.191 of his book “Travels in India A Hundred
Years ago”) that in November 1794 “I arrived at the high walls which
enclose the Taj-e-Mahal and its circumjacent buildings. I here got out
of the palanquine and…..mounted a short flight of steps leading to a
beautiful portal which formed the centre of this side of the Court Of
Elephants as the great area was called.”
Koranic Patches
32. The Taj Mahal is scrawled over with 14 chapters of the Koran but
nowhere is there even the slightest or the remotest allusion in that
Islamic overwriting to Shahjahan’s authorship of the Taj. Had Shahjahan
been the builder he would have said so in so many words before beginning
to quote Koran.
33. That Shahjahan, far from building the
marble Taj, only disfigured it with black lettering is mentioned by the
inscriber Amanat Khan Shirazi himself in an inscription on the building.
A close scrutiny of the Koranic lettering reveals that they are grafts
patched up with bits of variegated stone on an ancient Shiva temple.
Carbon 14 Test
34. A wooden piece from the riverside doorway of the Taj subjected to
the carbon 14 test by an American Laboratory and initiated by Professors
at Pratt School of Architecture, New York, has revealed that the door
to be 300 years older than Shahjahan,since the doors of the Taj, broken
open by Muslim invaders repeatedly from the 11th century onwards, had to
b replaced from time to time. The Taj edifice is much more older. It
belongs to 1155 A.D, i.e., almost 500 years anterior to Shahjahan.
Architectural Evidence
35. Well known Western authorities on architechture like E.B.Havell,
Mrs.Kenoyer and Sir W.W.Hunterhave gone on record to say that the
TajMahal is built in the Hindu temple style. Havell points out the
ground plan of the ancient Hindu Chandi Seva Temple in Java is identical
with that of the Taj.
36. A central dome with cupolas at its four corners is a universal feature of Hindu temples.
37. The four marble pillars at the plinth corners are of the Hindu
style. They are used as lamp towers during night and watch towers during
the day. Such towers serve to demarcate the holy precincts. Hindu
wedding altars and the altar set up for God Satyanarayan worship have
pillars raised at the four corners.
38. The octagonal shape of
the Tajmahal has a special Hindu significance because Hindus alone have
special names for the eight directions, and celestial guards assigned to
them. The pinnacle points to the heaven while the foundation signifies
to the nether world. Hindu forts, cities, palaces and temples genrally
have an octagonal layout or some octagonal features so that together
with the pinnacle and the foundation they cover all the ten directions
in which the king or God holds sway, according to Hindu belief.
39. The Tajmahal has a trident pinncle over the dome. A full scale of
the trident pinnacle is inlaid in the red stone courtyard to the east of
the Taj. The central shaft of the trident depicts a Kalash (sacred pot)
holding two bent mango leaves and a coconut. This is a sacred Hindu
motif. Identical pinnacles have been seen over Hindu and Buddhist
temples in the Himalayan region. Tridents are also depicted against a
red lotus background at the apex of the stately marble arched entrances
on all four sides of the Taj. People fondly but mistakenly believed all
these centuries that the Taj pinnacle depicts a Islamic cresent and star
was a lighting conductor installed by the British rulers in India.
Contrarily, the pinnacle is a marvel of Hindu metallurgy since the
pinnacle made of non rusting alloy, is also perhaps a lightning
deflector. That the pinnacle of the replica is drawn in the eastern
courtyard is significant because the east is of special importance to
the Hindus, as the direction in which the sun rises. The pinnacle on the
dome has the word `Allah’ on it after capture. The pinnacle figure on
the ground does not have the word Allah.
Inconsistencies
40. The two buildings which face the marble Taj from the east and west
are identical in design, size and shape and yet the eastern building is
explained away by Islamic tradition, as a community hall while the
western building is claimed to be a mosque. How could buildings meant
for radically different purposes be identical? This proves that the
western building was put to use as a mosque after seizure of the Taj
property by Shahjahan. Curiously enough the building being explained
away as a mosque has no minaret. They form a pair af reception pavilions
of the Tejomahalaya temple palace.
41. A few yards away from
the same flank is the Nakkar Khana alias DrumHouse which is a
intolerable incongruity for Islam. The proximity of the Drum House
indicates that the western annex was not originally a mosque. Contrarily
a drum house is a neccesity in a Hindu temple or palace because Hindu
chores,in the morning and evening, begin to the sweet strains of music.
42. The embossed patterns on the marble exterior of the centotaph
chamber wall are foilage of the conch shell design and the Hindu letter
OM. The octagonally laid marble lattices inside the centotaph chamber
depict pink lotuses on their top railing. The Lotus, the conch and the
OM are the sacred motifs associated with the Hindu deities and temples.
43. The spot occupied by Mumtaz’s centotaph was formerly occupied by
the Hindu Teja Linga a lithic representation of Lord Shiva. Around it
are five perambulatory passages. Perambulation could be done around the
marble lattice or through the spacious marble chambers surrounding the
centotaph chamber, and in the open over the marble platform. It is also
customary for the Hindus to have apertures along the perambulatory
passage, overlooking the deity. Such apertures exist in the
perambulatories in the Tajmahal.
44. The sanctom sanctorum in
the Taj has silver doors and gold railings as Hindu temples have. It
also had nets of pearl and gems stuffed in the marble lattices. It was
the lure of this wealth which made Shahjahan commandeer the Taj from a
helpless vassal Jaisingh, the then ruler of Jaipur.
45. Peter
Mundy, a Englishman records (in 1632, within a year of Mumtaz’s death)
having seen a gem studded gold railing around her tomb. Had the Taj been
under construction for 22 years, a costly gold railing would not have
been noticed by Peter mundy within a year of Mumtaz’s death. Such costl
fixtures are installed in a building only after it is ready for use.
This indicates that Mumtaz’s centotaph was grafted in place of the
Shivalinga in the centre of the gold railings. Subsequently the gold
railings, silver doors, nets of pearls, gem fillings etc. were all
carried away to Shahjahan’s treasury. The seizure of the Taj thus
constituted an act of highhanded Moghul robery causing a big row between
Shahjahan and Jaisingh.
46. In the marble flooring around
Mumtaz’s centotaph may be seen tiny mosaic patches. Those patches
indicate the spots where the support for the gold railings were embedded
in the floor. They indicate a rectangular fencing.
47. Above
Mumtaz’s centotaph hangs a chain by which now hangs a lamp. Before
capture by Shahjahan the chain used to hold a water pitcher from which
water used to drip on the Shivalinga.
48. It is this earlier
Hindu tradition in the Tajmahal which gave the Islamic myth of
Shahjahan’s love tear dropping on Mumtaz’s tomb on the full moon day of
the winter eve.
Treasury Well
49. Between the so-called
mosque and the drum house is a multistoried octagonal well with a flight
of stairs reaching down to the water level. This is a traditional
treasury well in Hindu temple palaces. Treasure chests used to be kept
in the lower apartments while treasury personnel had their offices in
the upper chambers. The circular stairs made it difficult for intruders
to reach down to the treasury or to escape with it undetected or
unpursued. In case the premises had to be surrendered to a besieging
enemy the treasure could be pushed into the well to remain hidden from
the conquerer and remain safe for salvaging if the place was
reconquered. Such an elaborate multistoried well is superflous for a
mere mausoleum. Such a grand, gigantic well is unneccesary for a tomb.
Burial Date Unknown
50. Had Shahjahan really built the Taj Mahal as a wonder mausoleum,
history would have recorded a specific date on which she was
ceremoniously buried in the Taj Mahal. No such date is ever mentioned.
This important missing detail decisively exposes the falsity of the
Tajmahal legend.
51. Even the year of Mumtaz’s death is
unknown. It is variously speculated to be 1629, 1630, 1631 or 1632. Had
she deserved a fabulous burial, as is claimed, the date of her death had
not been a matter of much speculation. In an harem teeming with 5000
women it was difficult to keep track of dates of death. Apparently the
date of Mumtaz’s death was so insignificant an event, as not to merit
any special notice. Who would then build a Taj for her burial?
Baseless Love Stories
52. Stories of Shahjahan’s exclusive infatuation for Mumtaz’s are
concoctions. They have no basis in history nor has any book ever written
on their fancied love affairs. Those stories have been invented as an
afterthought to make Shahjahan’s authorship of the Taj look plausible.
Cost
53. The cost of the Taj is nowhere recorded in Shahjahan’s court papers
because Shahjahan never built the Tajmahal. That is why wild estimates
of the cost by gullible writers have ranged from 4 million to 91.7
million rupees.
Period Of Construction
54. Likewise
the period of construction has been guessed to be anywhere between 10
years and 22 years. There would have not been any scope for guesswork
had the building construction been on record in the court papers.
Architects
55. The designer of the Tajmahal is also variously mentioned as Essa
Effendy, a Persian or Turk, or Ahmed Mehendis or a Frenchman, Austin
deBordeaux, or Geronimo Veroneo, an Italian, or Shahjahan himself.
Records Don’t Exist
56. Twenty thousand labourers are supposed to have worked for 22 years
during Shahjahan’s reign in building the Tajmahal. Had this been true,
there should have been available in Shahjahan’s court papers design
drawings, heaps of labour muster rolls, daily expenditure sheets, bills
and receipts of material ordered, and commisioning orders. There is not
even a scrap of paper of this kind.
57. It is, therefore, court
flatterers, blundering historians, somnolent archeologists, fiction
writers, senile poets, careless tourists officials and erring guides who
are responsible for hustling the world into believing in Shahjahan’s
mythical authorship of the Taj.
58. Description of the gardens
around the Taj of Shahjahan’s time mention Ketaki, Jai, Jui, Champa,
Maulashree, Harshringar and Bel. All these are plants whose flowers or
leaves are used in the worship of Hindu deities. Bel leaves are
exclusively used in Lord Shiva’s worship. A graveyard is planted only
with shady trees because the idea of using fruit and flower from plants
in a cemetary is abhorrent to human conscience. The presence of Bel and
other flower plants in the Taj garden is proof of its having been a
Shiva temple before seizure by Shahjahan.
59. Hindu temples are
often built on river banks and sea beaches. The Taj is one such built
on the bank of the Yamuna river an ideal location for a Shiva temple.
60. Prophet Mohammad has ordained that the burial spot of a muslim
should be inconspicous and must not be marked by even a single
tombstone. In flagrant violation of this, the Tajamhal has one grave in
the basement and another in the first floor chamber both ascribed to
Mumtaz. Those two centotaphs were infact erected by Shahjahan to bury
the two tier Shivalingas that were consecrated in the Taj. It is
customary for Hindus to install two Shivalingas one over the other in
two stories as may be seen in the Mahankaleshwar temple in Ujjain and
the Somnath temple raised by Ahilyabai in Somnath Pattan.
61.
The Tajmahal has identical entrance arches on all four sides. This is a
typical Hindu building style known as Chaturmukhi, i.e.,four faced.
The Hindu Dome
62. The Tajmahal has a reverberating dome. Such a dome is an absurdity
for a tomb which must ensure peace and silence. Contrarily reverberating
domes are a neccesity in Hindu temples because they create an ecstatic
dinmultiplying and magnifying the sound of bells, drums and pipes
accompanying the worship of Hindu deities.
63. The Tajmahal
dome bears a lotus cap. Original Islamic domes have a bald top as is
exemplified by the Pakistan Embassy in Chanakyapuri, New Delhi, and the
domes in the Pakistan’s newly built capital Islamabad.
64. The Tajmahal entrance faces south. Had the Taj been an Islamic building it should have faced the west.
Tomb is the Grave, not the Building
65. A widespread misunderstandin g has resulted in mistaking the
building for the grave.Invading Islam raised graves in captured
buildings in every country it overran. Therefore, hereafter people must
learn not to confound the building with the grave mounds which are
grafts in conquered buildings. This is true of the Tajmahal too. One may
therefore admit (for arguments sake) that Mumtaz lies buried inside the
Taj. But that should not be construed to mean that the Taj was raised
over Mumtaz’s grave.
66. The Taj is a seven storied building.
Prince Aurangzeb also mentions this in his letter to Shahjahan (Refer to
the Figure 1 above). The marble edifice comprises four stories
including the lone, tall circular hall inside the top, and the lone
chamber in the basement. In between are two floors each containing 12 to
15 palatial rooms. Below the marble plinth reaching down to the river
at the rear are two more stories in red stone. They may be seen from the
river bank. The seventh storey must be below the ground (river) level
since every ancient Hindu building had a subterranian storey.
67. Immediately bellow the marble plinth on the river flank are 22 rooms
in red stone with their ventilators all walled up by Shahjahan. Those
rooms, made uninhibitably by Shahjahan, are kept locked by Archealogy
Department of India. The lay visitor is kept in the dark about them.
Those 22 rooms still bear ancient Hindu paint on their walls and
ceilings. On their side is a nearly 33 feet long corridor. There are two
door frames one at either end ofthe corridor. But those doors are
intriguingly sealed with brick and lime.
68. Apparently those doorways originally sealed by
Shahjahan have been since unsealed and again walled up several times.
In 1934 a resident of Delhi took a peep inside from an opening in the
upper part of the doorway. To his dismay he saw huge hall inside. It
contained many statues huddled around a central beheaded image of Lord
Shiva. It could be that, in there, are Sanskrit inscriptions too. All
the seven stories of the Tajmahal need to be unsealed and scoured to
ascertain what evidence they may be hiding in the form of Hindu images,
Sanskrit inscriptions, scriptures, coins and utensils.
69.
Apart from Hindu images hidden in the sealed stories it is also learnt
that Hindu images are also stored in the massive walls of the Taj.
Between 1959 and 1962 when Mr. S.R. Rao was the Archealogical
Superintendent in Agra, he happened to notice a deep and wide crack in
the wall of the central octagonal chamber of the Taj. When a part of the
wall was dismantled to study the crack out popped two or three marble
images. The matter was hushed up and the images were reburied where they
had been embedded at Shahjahan’s behest. Confirmation of this has been
obtained from several sources. It was only when I began my investigation
into the antecedents of the Taj I came across the above information
which had remained a forgotten secret. What better proof is needed of
the Temple origin of the Tajmahal? Its walls and sealed chambers still
hide in Hindu idols that were consecrated in it before Shahjahan’s
seizure of the Taj.
Pre-Shahjahan References to the Taj
70.
Apparently the Taj as a central palace seems to have an chequered
history. The Taj was perhaps desecrated and looted by every Muslim
invader from Mohammad Ghazni onwards but passing into Hindu hands off
and on, the sanctity of the Taj as a Shiva temple continued to be
revived after every muslim onslaught. Shahjahan was the last muslim to
desecrate the Tajmahal alias Tejomahalay.
71. Vincent Smith
records in his book titled `Akbar the Great Moghul’ that `Babur’s
turbulent life came to an end in his garden palace in Agra in 1630′.
That palace was none other than the Tajmahal.
72. Babur’s daughter Gulbadan Begum in her chronicle titled Humayun Nama refers to the Taj as the Mystic House.
73. Babur himself refers to the Taj in his memoirs as the palace
captured by Ibrahim Lodi containing a central octagonal chamber and
having pillars on the four sides. All these historical references allude
to the Taj 100 years before Shahjahan.
74. The Tajmahal
precincts extend to several hundred yards in all directions. Across the
river are ruins of the annexes of the Taj, the bathing ghats and a jetty
for the ferry boat. In the Victoria gardens outside covered with
creepers is the long spur of the ancient outer wall ending in a
octagonal red stone tower. Such extensive grounds all magnificently done
up, are a superfluity for a grave.
75. Had the Taj been
specially built to bury Mumtaz, it should not have been cluttered with
other graves. But the Taj premises contain several graves atleast in its
eastern and southern pavilions.
76. In the southern flank, on
the other side of the Tajganj gate are buried in identical pavilions
queens Sarhandi Begum, and Fatehpuri Begum and a maid Satunnisa Khanum.
Such parity burial can be justified only if the queens had been demoted
or the maid promoted. But since Shahjahan had commandeered (not built)
the Taj, he reduced it general to a muslim cemetary as was the habit of
all his Islamic predeccssors, and buried a queen in a vacant pavillion
and a maid in another idenitcal pavilion.
77. Shahjahan was
married to several other women before and after Mumtaz. She, therefore,
deserved no special consideration in having a wonder mausoleum built for
her.
78. Mumtaz was a commoner by birth and so she did not qualify for a fairyland burial.
79. Mumtaz died in Burhanpur which is about 600 miles from Agra. Her
grave there is intact. Therefore, the centotaphs raised in stories of
the Taj in her name seem to be fakes hiding in Hindu Shiva emblems.
80. Shahjahan seems to have simulated Mumtaz’s burial in Agra to find a
pretext to surround the temple palace with his fierce and fanatic
troops and remove all the costly fixtures in his treasury. This finds
confirmation in the vague noting in the Badshahnama which says that the
Mumtaz’s (exhumed) body was brought to Agra from Burhanpur and buried
`next year’. An official term would not use a nebulous term unless it is
to hide some thing.
81. A pertinent consideration is that a Shahjahan who
did not build any palaces for Mumtaz while she was alive, would not
build a fabulous mausoleum for a corpse which was no longer kicking or
clicking.
82. Another factor is that Mumtaz died within two or
three years of Shahjahan becoming an emperor. Could he amass so much
superflous wealth in that short span as to squander it on a wonder
mausoleum?
83. While Shahjahan’s special attachment to Mumtaz
is nowhere recorded in history his amorous affairs with many other
ladies from maids to mannequins including his own daughter Jahanara,
find special attention in accounts of Shahjahan’s reign. Would Shahjahan
shower his hard earned wealth on Mumtaz’s corpse?
84.
Shahjahan was a stingy, usurious monarch. He came to throne murdering
all his rivals. He was not therefore, the doting spendthrift that he is
made out to be.
85. A Shahjahan disconsolate on Mumtaz’s death
is suddenly credited with a resolve to build the Taj. This is a
psychological incongruity. Grief is a disabling, incapacitating emotion.
86. A infatuated Shahjahan is supposed to have raised the Taj over the
dead Mumtaz, but carnal, physical sexual love is again a incapacitating
emotion. A womaniser is ipso facto incapable of any constructive
activity. When carnal love becomes uncontrollable the person either
murders somebody or commits suicide. He cannot raise a Tajmahal. A
building like the Taj invariably originates in an ennobling emotion like
devotion to God, to one’s mother and mother country or power and glory.
87. Early in the year 1973, chance digging in the garden in front of
the Taj revealed another set of fountains about six feet below the
present fountains. This proved two things. Firstly, the subterranean
fountains were there before Shahjahan laid the surface fountains. And
secondly that those fountains are aligned to the Taj that edifice too is
of pre Shahjahan origin. Apparently the garden and its fountains had
sunk from annual monsoon flooding and lack of maintenance for centuries
during the Islamic rule.
88. The stately rooms on the upper
floor of the Tajmahal have been striped of their marble mosaic by
Shahjahan to obtain matching marble for raising fake tomb stones inside
the Taj premises at several places. Contrasting with the rich finished
marble ground floor rooms the striping of the marble mosaic covering the
lower half of the walls and flooring of the upper storey have given
those rooms a naked, robbed look. Since no visitors are allowed entry to
the upper storey this despoilation by Shahjahan has remained a well
guarded secret. There is no reason why Shahjahan’s loot of the upper
floor marble should continue to be hidden from the public even after 200
years of termination of Moghul rule.
89. Bernier, the French
traveller has recorded that no non muslim was allowed entry into the
secret nether chambers of the Taj because there are some dazzling
fixtures there. Had those been installed by Shahjahan they should have
been shown the public as a matter of pride. But since it was
commandeered Hindu wealth which Shahjahan wanted to remove to his
treasury, he didn’t want the public to know about it.
90. The
approach to Taj is dotted with hillocks raised with earth dugout from
foundation trenches. The hillocks served as outer defences of the Taj
building complex. Raising such hillocks from foundation earth, is a
common Hindu device of hoary origin. Nearby Bharatpur provides a graphic
parallel. Peter Mundy has recorded that Shahjahan employed thousands of
labourers to level some of those hillocks. This is a graphic proof of
the Tajmahal existing before Shahjahan.
91. At the backside of
the river bank is a Hindu crematorium, several palaces, Shiva temples
and bathings of ancient origin. Had Shahjahan built the Tajmahal, he
would have destroyed the Hindu features.
92. The story that
Shahjahan wanted to build a Black marble Taj across the river, is
another motivated myth. The ruins dotting the other side of the river
are those of Hindu structures demolished during muslim invasions and not
the plinth of another Tajmahal. Shahjahan who did not even build the
white Tajmahal would hardly ever think of building a black marble Taj.
He was so miserly that he forced labourers to work gratis even in the
superficial tampering neccesary to make a Hindu temple serve as a Muslim
tomb.
93. The marble that Shahjahan used for grafting Koranic
lettering in the Taj is of a pale white shade while the rest of the Taj
is built of a marble with rich yellow tint. This disparity is proof of
the Koranic extracts being a superimposition .
94. Though
imaginative attempts have been made by some historians to foist some
fictitious name on history as the designer of the Taj others more
imaginative have credited Shajahan himself with superb architechtural
proficiency and artistic talent which could easily concieve and plan the
Taj even in acute bereavment. Such people betray gross ignorance of
history in as much as Shajahan was a cruel tyrant ,a great womaniser and
a drug and drink addict.
95. Fanciful accounts about Shahjahan
commisioning the Taj are all confused. Some asserted that Shahjahan
ordered building drawing from all over the world and chose one from
among them. Others assert that a man at hand was ordered to design a
mausoleum amd his design was approved. Had any of those versions been
true Shahjahan’s court papers should have had thousands of drawings
concerning the Taj. But there is not even a single drawing. This is yet
another clinching proof that Shahjahan did not commision the Taj.
96. The Tajmahal is surrounded by huge mansions which indicate that
several battles have been waged around the Taj several times.
97. At the south east corner of the Taj is an ancient royal cattle
house. Cows attached to the Tejomahalay temple used to reared there. A
cowshed is an incongruity in an Islamic tomb.
98. Over the western flank of the Taj are several stately red stone annexes. These are superflous for a mausoleum.
99. The entire Taj complex comprises of 400 to 500 rooms. Residential
accomodation on such a stupendous scale is unthinkable in a mausoleum.
100. The neighbouring Tajganj township’s massive protective wall also
encloses the Tajmahal temple palace complex. This is a clear indication
that the Tejomahalay temple palace was part and parcel of the township. A
street of that township leads straight into the Tajmahal. The Tajganj
gate is aligned in a perfect straight line to the octagonal red stone
garden gate and the stately entrance arch of the Tajmahal. The Tajganj
gate besides being central to the Taj temple complex, is also put on a
pedestal. The western gate by which the visitors enter the Taj complex
is a camparatively minor gateway. It has become the entry gate for most
visitors today because the railway station and the bus station are on
that side.
101. The Tajmahal has pleasure pavillions which a tomb would never have.
102. A tiny mirror glass in a gallery of the Red Fort in Agra reflects
the Taj mahal. Shahjahan is said to have spent his last eight years of
life as a prisoner in that gallery peering at the reflected Tajmahal and
sighing in the name of Mumtaz. This myth is a blend of many falsehoods.
Firstly, old Shajahan was held prisoner by his son Aurangzeb in the
basement storey in the Fort and not in an open, fashionable upper
storey. Secondly, the glass piece was fixed in the 1930′s by Insha Allah
Khan, a peon of the archaelogy dept.just to illustrate to the visitors
how in ancient times the entire apartment used to scintillate with tiny
mirror pieces reflecting the Tejomahalay temple a thousand fold.
Thirdly, a old decrepit Shahjahan with pain in his joints and cataract
in his eyes, would not spend his day craning his neck at an awkward
angle to peer into a tiny glass piece with bedimmed eyesight when he
could as well his face around and have full, direct view of the Tjamahal
itself. But the general public is so gullible as to gulp all such
prattle of wily, unscrupulous guides.
103. That the Tajmahal
dome has hundreds of iron rings sticking out of its exterior is a
feature rarely noticed. These are made to hold Hindu earthen oil lamps
for temple illumination.
104. Those putting implicit faith in
Shahjahan authorship of the Taj have been imagining Shahjahan-Mumta z to
be a soft hearted romantic pair like Romeo and Juliet. But contemporary
accounts speak of Shahjahan as a hard hearted ruler who was constantly
egged on to acts of tyranny and cruelty, by Mumtaz.
105. School
and College history carry the myth that Shahjahan reign was a golden
period in which there was peace and plenty and that Shahjahan
commisioned many buildings and patronized literature. This is pure
fabrication. Shahjahan did not commision even a single building as we
have illustrated by a detailed analysis of the Tajmahal legend. Shahjahn
had to enrage in 48 military campaigns during a reign of nearly 30
years which proves that his was not a era of peace and plenty.
106. The interior of the dome rising over Mumtaz’s centotaph has a
representation of Sun and cobras drawn in gold. Hindu warriors trace
their origin to the Sun. For an Islamic mausoleum the Sun is redundant.
Cobras are always associated with Lord Shiva.
Forged Documents
107. The muslim caretakers of the tomb in the Tajmahal used to possess a
document which they styled as Tarikh-i-Tajmah al. Historian H.G. Keene
has branded it as a document of doubtful authenticity. Keene was
uncannily right since we have seen that Shahjahan not being the creator
of the Tajmahal any document which credits Shahjahn with the Tajmahal,
must be an outright forgery. Even that forged document is reported to
have been smuggled out of Pakistan. Besides such forged documents there
are whole chronicles on the Taj which are pure concoctions.
108. There is lot of sophistry and casuistry or atleast confused
thinking associated with the Taj even in the minds of proffesional
historians, archaelogists and architects. At the outset they assert that
the Taj is entirely Muslim in design. But when it is pointed out that
its lotus capped dome and the four corner pillars etc. are all entirely
Hindu those worthies shift ground and argue that that was probably
because the workmen were Hindu and were to introduce their own patterns.
Both these arguments are wrong because Muslim accounts claim the
designers to be Muslim, and the workers invariably carry out the
employer’s dictates.
The Taj is only a typical illustration of how
all historic buildings and townships from Kashmir to Cape Comorin though
of Hindu origin have been ascribed to this or that Muslim ruler or
courtier.
It is hoped that people the world over who study Indian
history will awaken to this new finding and revise their erstwhile
beliefs.
Those interested in an indepth study of the above and many
other revolutionary rebuttals may read Shri P.N. Oak’s other research
books.
Proofs with Photo Graphs Visit at Research of Stephen-Knapp
![Taj Mahal was Hindu Temple “Tejo Mahalay” not built by any Mughal ruler : 108 Proofs [Must Read and Share ! Please Spend your few minutes of time to learn and spread the truth which history text books and media doesn't show]
Taj Mahal was
Hindu Temple “Tejo Mahalay” the temple of shiva which was destroyed by mugals(Muslims) and changed a bit and called it their structure. Most evident of such str
uctures is Taj Mahal–a structure supposedly devoted to carnal love by the “great” moghul king Shah Jahan to his favorite wife Mumtaz Mahal. Please keep in my mind that this is the same Shah Jahan who had a harem of 5,000 women and the same Shah Jahan who had a incestuous relationship with his daughter justifing it by saying, ‘a gardner has every right to taste the fruit he has planted’! Is such a person even capable of imagning such a wondrous structure as the Taj Mahal let alone be the architect of it?
The answer is no. It cannot be. And it isn’t as has been proven. The Taj Mahal is as much a Islamic structure as is mathematics a muslim discovery! The famous historian Shri P.N. Oak has proven that Taj Mahal is actuallyTejo Mahalaya– a shiv temple-palace. His work was published in 1965 in the book, Taj Mahal – The True Story. However, we have not heard much about it because it was banned by the corrupt and power crazed Congress government of Bharat who did not want to alienate their precious vote bank–the muslims.
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After reading Shri Oak’s work which provides more than adequate evidence to prove that Taj Mahal is indeed Tejo Mahalaya, one has to wonder if the government of Bharat has been full of traitors for the past 50 years! Because to ban such a book which states only the truth is surely a crime against our great nation of Bharat.
The most valuable evidence of all that Tejo Mahalaya is not an Islamic building is in the Badshahnama which contains the history of the first twenty years of Shah Jahan’s reign. The writer Abdul Hamid has stated that Taj Mahal is a temple-palace taken from Jaipur’s Maharaja Jaisigh and the building was known as Raja Mansingh’s palace. This by itself is enough proof to state that Tejo Mahalaya is a Hindu structure captured, plundered and converted to a mausoleum by Shah Jahan and his henchmen. But I have taken the liberty to provide you with 109 other proofs and logical points which tell us that the structure known as the Taj Mahal is actually Tejo Mahalaya.
There is a similar story behind Every Islamic structure in Bharat. They are all converted Hindu structures. As I mentioned above, hundereds of thousands of temples in Bharat have been destroyed by the barbaric muslim invaders and I shall dedicate several articles to these destroyed temples. However, the scope of this article is to prove to you beyond the shadow of any doubt that Taj Mahal is Tejo Mahalaya and should be recognized as such! Not as a monument to the dead Mumtaz Mahal–an insignificant sex object in the incestous Shah Jahan’s harem of 5,000.
Another very important proof that Taj Mahal is a Hindu structure is shown by figure 1 below. It depicts Aurangzeb’s letter to Shah Jahan in Persian in which he has unintentionally revealed the true identity of the Taj Mahal as a Hindu Temple-Palace. Refer to proofs below.
Proofs follow below:
1.The term Tajmahal itself never occurs in any mogul court paper or chronicle even in Aurangzeb’s time. The attempt to explain it away as Taj-i-mahal is therefore, ridiculous.
2.The ending “Mahal” is never muslim because in none of the muslim countries around the world from Afghanistan to Algeria is there a building known as “Mahal”.
3.The unusual explanation of the term Tajmahal derives from Mumtaz Mahal, who is buried in it, is illogical in at least two respects viz., firstly her name was never Mumtaj Mahal but Mumtaz-ul-Zaman i and secondly one cannot omit the first three letters “Mum” from a woman’s name to derive the remainder as the name of the building.
4.Since the lady’s name was Mumtaz (ending with ‘Z’) the name of the building derived from her should have been Taz Mahal, if at all, and not Taj (spelled with a ‘J’).
5.Several European visitors of Shahjahan’s time allude to
the building as Taj-e-Mahal is almost the correct tradition, age old Sanskrit name Tej-o-Mahalaya, signifying a Shiva temple. Contrarily Shahjahan and Aurangzeb scrupulously avoid using the Sanskrit term and call it just a holy grave.
6.The tomb should be understood to signify Not A Building but only the grave or centotaph inside it. This would help people to realize that all dead muslim courtiers and royalty including Humayun, Akbar, Mumtaz, Etmad-ud-Daula and Safdarjang have been buried in capture Hindu mansions and temples.
7.Moreover, if the Taj is believed to be a burial place, how can the term Mahal, i.e., mansion apply to it?
8.Since the term Taj Mahal does not occur in mogul courts it is absurd to search for any mogul explanation for it. Both its components namely, ‘Taj’ and’ Mahal’ are of Sanskrit origin.
Temple Tradition
9.The term Taj Mahal is a corrupt form of the sanskrit term TejoMahalay signifying a Shiva Temple. Agreshwar Mahadev i.e., The Lord of Agra was consecrated in it.
10.The tradition of removing the shoes before climbing the marble platform originates from pre Shahjahan times when the Taj was a Shiva Temple. Had the Taj originated as a tomb, shoes need not have to be removed because shoes are a necessity in a cemetery.
11.Visitors may notice that the base slab of the centotaph is the marble basement in plain white while its superstructure and the other three centotaphs on the two floors are covered with inlaid creeper designs. This indicates that the marble pedestal of the Shiva idol is still in place and Mumtaz’s centotaphs are fake.
12.The pitchers carved inside the upper border of the marble lattice plus those mounted on it number 108-a number sacred in Hindu Temple tradition.
13.There are persons who are connected with the repair and the maintainance of the Taj who have seen the ancient sacred Shiva Linga and other idols sealed in the thick walls and in chambers in the secret, sealed red stone stories below the marble basement. The Archaeological Survey of India is keeping discretely, politely and diplomatically silent about it to the point of dereliction of its own duty to probe into hidden historical evidence.
14.In India there are 12 Jyotirlingas i.e., the outstanding Shiva Temples. The Tejomahalaya alias The Tajmahal appears to be one of them known as Nagnatheshwar since its parapet is girdled with Naga, i.e., Cobra figures. Ever since Shahjahan’s capture of it the sacred temple has lost its Hindudom.
15.The famous Hindu treatise on architecture titled Vishwakarma Vastushastra mentions the Tej-Linga amongst the Shivalingas i.e., the stone emblems of Lord Shiva, the Hindu deity. Such a Tej Linga was consecrated in the Taj Mahal, hence the term Taj Mahal alias Tejo Mahalaya.
16.Agra city, in which the Taj Mahal is located, is an ancient centre of Shiva worship. Its orthodox residents have through ages continued the tradition of worshipping at five Shiva shrines before taking the last meal every night especially during the month of Shravan. During the last few centuries the residents of Agra had to be content with worshipping at only four prominent Shiva temples viz., Balkeshwar, Prithvinath, Manakameshwaran d Rajarajeshwar. They had lost track of the fifth Shiva deity which their forefathers worshipped. Apparently the fifth was Agreshwar Mahadev Nagnatheshwar i.e., The Lord Great God of Agra, The Deity of the King of Cobras, consecrated in the Tejomahalay alias Tajmahal.
17.The people who dominate the Agra region are Jats. Their name of Shiva is Tejaji. The Jat special issue of The Illustrated Weekly of India (June 28,1971) mentions that the Jats have the Teja Mandirs i.e., Teja Temples. This is because Teja-Linga is among the several names of the Shiva Lingas. From this it is apparent that the Taj-Mahal is Tejo-Mahalaya, The Great Abode of Tej.
Documentary Evidence
18.Shahjahan’s own court chronicle, the Badshahnama, admits (page 403, vol 1) that a grand mansion of unique splendor, capped with a dome (Imaarat-a-Alis han wa Gumbaze) was taken from the Jaipur Maharaja Jaisigh for Mumtaz’s burial, and the building was known as Raja Mansingh’s palace.
19. The plaque put the archealogy department outside the Tajmahal describes the edifice as a mausoleum built by Shahjahan for his wife Mumtaz Mahal, over 22 years from 1631 to 1653 That plaque is a specimen of historical bungling. Firstly, the plaque sites no authority for its claim. Secondly the lady’s name was Mumtaz-ulZamani and not Mumtazmahal. Thirdly, the period of 22 years is taken from some mumbo jumbo noting by an unreliable French visitor Tavernier, to the exclusion of all muslim versions, which is an absurdity.
20. Prince Aurangzeb’s letter (Refer to Figure 1 above) to his father, emperor Shahjahan, is recorded in atleast three chronicles titled Aadaab-e-Alamgi ri, Yadgarnama, and the Muruqqa-i-Akbar abadi (edited by Said Ahmed, Agra, 1931, page 43, footnote 2). In that letter Aurangzeb records in 1652 A.D itself that the several buildings in the fancied burial place of Mumtaz were seven storeyed and were so old that they were all leaking, while the dome had developed a crack on the northern side. Aurangzeb, therefore, ordered immediate repairs to the buildings at his own expense while recommending to the emperor that more elaborate repairs be carried out later. This is the proof that during Shahjahan’s reign itself that the Taj complex was so old as to need immediate repairs.
21. The ex-Maharaja of Jaipur retains in his secret personal KapadDwara collection two orders from Shahjahan dated Dec 18, 1633 (bearing modern nos. R.176 and 177) requestioning the Taj building complex. That was so blatant a usurpation that the then ruler of Jaipur was ashamed to make the document public.
22. The Rajasthan State archives at Bikaner preserve three other firmans addressed by Shahjahan to the Jaipur’s ruler Jaisingh ordering the latter to supply marble (for Mumtaz’s grave and koranic grafts) from his Makranna quarris, and stone cutters. Jaisingh was apparently so enraged at the blatant seizure of the Tajmahal that he refused to oblige Shahjahan by providing marble for grafting koranic engravings and fake centotaphs for further desecration of the Tajmahal. Jaisingh looked at Shahjahan’s demand for marble and stone cutters, as an insult added to injury. Therefore, he refused to send any marble and instead detained the stone cutters in his protective custody.
23. The three firmans demanding marble were sent to Jaisingh within about two years of Mumtaz’s death. Had Shahjahan really built the Tajmahal over a period of 22 years, the marble would have needed only after 15 or 20 years not immediately after Mumtaz’s death.
24. Moreover, the three mention neither the Tajmahal, nor Mumtaz, nor the burial. The cost and the quantity of the stone also are not mentioned. This proves that an insignificant quantity of marble was needed just for some supercial tinkering and tampering with the Tajmahal. Even otherwise Shahjahan could never hope to build a fabulous Tajmahal by abject dependence for marble on a non cooperative Jaisingh.
European Visitor’s Accounts
25. Tavernier, a French jeweller has recorded in his travel memoirs that Shahjahan purposely buried Mumtaz near the Taz-i-Makan (i.e.,`The Taj building’) where foriegners used to come as they do even today so that the world may admire. He also adds that the cost of the scaffolding was more than that of the entire work. The work that Shahjahan commissioned in the Tejomahalaya Shiva temple was plundering at the costly fixtures inside it, uprooting the Shiva idols, planting the centotaphs in their place on two stories, inscribing the koran along the arches and walling up six of the seven stories of the Taj. It was this plunder, desecrating and plunderring of the rooms which took 22 years.
26. Peter Mundy, an English visitor to Agra recorded in 1632 (within only a year of Mumtaz’s death) that `the places of note in and around Agra, included Taj-e-Mahal’s tomb, gardens and bazaars’. He, therefore, confirms that that the Tajmahal had been a noteworthy building even before Shahjahan.
27. De Laet, a Dutch official has listed Mansingh’s palace about a mile from Agra fort, as an outstanding building of pre shahjahan’s time. Shahjahan’s court chronicle, the Badshahnama records, Mumtaz’s burial in the same Mansingh’s palace.
28. Bernier, a contemporary French visitor has noted that non muslim’s were barred entry into the basement (at the time when Shahjahan requisitioned Mansingh’s palace) which contained a dazzling light. Obviously, he reffered to the silver doors, gold railing, the gem studded lattice and strings of pearl hanging over Shiva’s idol. Shahjahan comandeered the building to grab all the wealth, making Mumtaz’s death a convineant pretext.
29. Johan Albert Mandelslo, who describes life in agra in 1638 (only 7 years after mumtaz’s death) in detail (in his Voyages and Travels to West-Indies, published by John Starkey and John Basset, London), makes no mention of the Tajmahal being under constuction though it is commonly erringly asserted or assumed that the Taj was being built from 1631 to 1653.
Sanskrit Inscription
30. A Sanskrit inscription too supports the conclusion that the Taj originated as a Shiva temple. Wrongly termed as the Bateshwar inscription (currently preserved on the top floor of the Lucknow museum), it refers to the raising of a “crystal white Shiva temple so alluring that Lord Shiva once enshrined in it decided never to return to Mount Kailash his usual abode”. That inscription dated 1155 A.D. was removed from the Tajmahal garden at Shahjahan’s orders. Historicians and Archeaologists have blundered in terming the insription the Bateshwar inscription when the record doesn’t say that it was found by Bateshwar. It ought, in fact, to be called The Tejomahalaya inscription because it was originally installed in the Taj garden before it was uprooted and cast away at Shahjahan’s command.
A clue to the tampering by Shahjahan is found on pages 216-217, vol. 4, of Archealogiical Survey of India Reports (published 1874) stating that a “great square black balistic pillar which, with the base and capital of another pillar….now in the grounds of Agra, …it is well known, once stood in the garden of Tajmahal”.
Missing Elephants
31. Far from the building of the Taj, Shahjahan disfigured it with black koranic lettering and heavily robbed it of its Sanskrit inscription, several idols and two huge stone elephants extending their trunks in a welcome arch over the gateway where visitors these days buy entry tickets. An Englishman, Thomas Twinning, records (pg.191 of his book “Travels in India A Hundred Years ago”) that in November 1794 “I arrived at the high walls which enclose the Taj-e-Mahal and its circumjacent buildings. I here got out of the palanquine and…..mounted a short flight of steps leading to a beautiful portal which formed the centre of this side of the Court Of Elephants as the great area was called.”
Koranic Patches
32. The Taj Mahal is scrawled over with 14 chapters of the Koran but nowhere is there even the slightest or the remotest allusion in that Islamic overwriting to Shahjahan’s authorship of the Taj. Had Shahjahan been the builder he would have said so in so many words before beginning to quote Koran.
33. That Shahjahan, far from building the marble Taj, only disfigured it with black lettering is mentioned by the inscriber Amanat Khan Shirazi himself in an inscription on the building. A close scrutiny of the Koranic lettering reveals that they are grafts patched up with bits of variegated stone on an ancient Shiva temple.
Carbon 14 Test
34. A wooden piece from the riverside doorway of the Taj subjected to the carbon 14 test by an American Laboratory and initiated by Professors at Pratt School of Architecture, New York, has revealed that the door to be 300 years older than Shahjahan,since the doors of the Taj, broken open by Muslim invaders repeatedly from the 11th century onwards, had to b replaced from time to time. The Taj edifice is much more older. It belongs to 1155 A.D, i.e., almost 500 years anterior to Shahjahan.
Architectural Evidence
35. Well known Western authorities on architechture like E.B.Havell, Mrs.Kenoyer and Sir W.W.Hunterhave gone on record to say that the TajMahal is built in the Hindu temple style. Havell points out the ground plan of the ancient Hindu Chandi Seva Temple in Java is identical with that of the Taj.
36. A central dome with cupolas at its four corners is a universal feature of Hindu temples.
37. The four marble pillars at the plinth corners are of the Hindu style. They are used as lamp towers during night and watch towers during the day. Such towers serve to demarcate the holy precincts. Hindu wedding altars and the altar set up for God Satyanarayan worship have pillars raised at the four corners.
38. The octagonal shape of the Tajmahal has a special Hindu significance because Hindus alone have special names for the eight directions, and celestial guards assigned to them. The pinnacle points to the heaven while the foundation signifies to the nether world. Hindu forts, cities, palaces and temples genrally have an octagonal layout or some octagonal features so that together with the pinnacle and the foundation they cover all the ten directions in which the king or God holds sway, according to Hindu belief.
39. The Tajmahal has a trident pinncle over the dome. A full scale of the trident pinnacle is inlaid in the red stone courtyard to the east of the Taj. The central shaft of the trident depicts a Kalash (sacred pot) holding two bent mango leaves and a coconut. This is a sacred Hindu motif. Identical pinnacles have been seen over Hindu and Buddhist temples in the Himalayan region. Tridents are also depicted against a red lotus background at the apex of the stately marble arched entrances on all four sides of the Taj. People fondly but mistakenly believed all these centuries that the Taj pinnacle depicts a Islamic cresent and star was a lighting conductor installed by the British rulers in India. Contrarily, the pinnacle is a marvel of Hindu metallurgy since the pinnacle made of non rusting alloy, is also perhaps a lightning deflector. That the pinnacle of the replica is drawn in the eastern courtyard is significant because the east is of special importance to the Hindus, as the direction in which the sun rises. The pinnacle on the dome has the word `Allah’ on it after capture. The pinnacle figure on the ground does not have the word Allah.
Inconsistencies
40. The two buildings which face the marble Taj from the east and west are identical in design, size and shape and yet the eastern building is explained away by Islamic tradition, as a community hall while the western building is claimed to be a mosque. How could buildings meant for radically different purposes be identical? This proves that the western building was put to use as a mosque after seizure of the Taj property by Shahjahan. Curiously enough the building being explained away as a mosque has no minaret. They form a pair af reception pavilions of the Tejomahalaya temple palace.
41. A few yards away from the same flank is the Nakkar Khana alias DrumHouse which is a intolerable incongruity for Islam. The proximity of the Drum House indicates that the western annex was not originally a mosque. Contrarily a drum house is a neccesity in a Hindu temple or palace because Hindu chores,in the morning and evening, begin to the sweet strains of music.
42. The embossed patterns on the marble exterior of the centotaph chamber wall are foilage of the conch shell design and the Hindu letter OM. The octagonally laid marble lattices inside the centotaph chamber depict pink lotuses on their top railing. The Lotus, the conch and the OM are the sacred motifs associated with the Hindu deities and temples.
43. The spot occupied by Mumtaz’s centotaph was formerly occupied by the Hindu Teja Linga a lithic representation of Lord Shiva. Around it are five perambulatory passages. Perambulation could be done around the marble lattice or through the spacious marble chambers surrounding the centotaph chamber, and in the open over the marble platform. It is also customary for the Hindus to have apertures along the perambulatory passage, overlooking the deity. Such apertures exist in the perambulatories in the Tajmahal.
44. The sanctom sanctorum in the Taj has silver doors and gold railings as Hindu temples have. It also had nets of pearl and gems stuffed in the marble lattices. It was the lure of this wealth which made Shahjahan commandeer the Taj from a helpless vassal Jaisingh, the then ruler of Jaipur.
45. Peter Mundy, a Englishman records (in 1632, within a year of Mumtaz’s death) having seen a gem studded gold railing around her tomb. Had the Taj been under construction for 22 years, a costly gold railing would not have been noticed by Peter mundy within a year of Mumtaz’s death. Such costl fixtures are installed in a building only after it is ready for use. This indicates that Mumtaz’s centotaph was grafted in place of the Shivalinga in the centre of the gold railings. Subsequently the gold railings, silver doors, nets of pearls, gem fillings etc. were all carried away to Shahjahan’s treasury. The seizure of the Taj thus constituted an act of highhanded Moghul robery causing a big row between Shahjahan and Jaisingh.
46. In the marble flooring around Mumtaz’s centotaph may be seen tiny mosaic patches. Those patches indicate the spots where the support for the gold railings were embedded in the floor. They indicate a rectangular fencing.
47. Above Mumtaz’s centotaph hangs a chain by which now hangs a lamp. Before capture by Shahjahan the chain used to hold a water pitcher from which water used to drip on the Shivalinga.
48. It is this earlier Hindu tradition in the Tajmahal which gave the Islamic myth of Shahjahan’s love tear dropping on Mumtaz’s tomb on the full moon day of the winter eve.
Treasury Well
49. Between the so-called mosque and the drum house is a multistoried octagonal well with a flight of stairs reaching down to the water level. This is a traditional treasury well in Hindu temple palaces. Treasure chests used to be kept in the lower apartments while treasury personnel had their offices in the upper chambers. The circular stairs made it difficult for intruders to reach down to the treasury or to escape with it undetected or unpursued. In case the premises had to be surrendered to a besieging enemy the treasure could be pushed into the well to remain hidden from the conquerer and remain safe for salvaging if the place was reconquered. Such an elaborate multistoried well is superflous for a mere mausoleum. Such a grand, gigantic well is unneccesary for a tomb.
Burial Date Unknown
50. Had Shahjahan really built the Taj Mahal as a wonder mausoleum, history would have recorded a specific date on which she was ceremoniously buried in the Taj Mahal. No such date is ever mentioned. This important missing detail decisively exposes the falsity of the Tajmahal legend.
51. Even the year of Mumtaz’s death is unknown. It is variously speculated to be 1629, 1630, 1631 or 1632. Had she deserved a fabulous burial, as is claimed, the date of her death had not been a matter of much speculation. In an harem teeming with 5000 women it was difficult to keep track of dates of death. Apparently the date of Mumtaz’s death was so insignificant an event, as not to merit any special notice. Who would then build a Taj for her burial?
Baseless Love Stories
52. Stories of Shahjahan’s exclusive infatuation for Mumtaz’s are concoctions. They have no basis in history nor has any book ever written on their fancied love affairs. Those stories have been invented as an afterthought to make Shahjahan’s authorship of the Taj look plausible.
Cost
53. The cost of the Taj is nowhere recorded in Shahjahan’s court papers because Shahjahan never built the Tajmahal. That is why wild estimates of the cost by gullible writers have ranged from 4 million to 91.7 million rupees.
Period Of Construction
54. Likewise the period of construction has been guessed to be anywhere between 10 years and 22 years. There would have not been any scope for guesswork had the building construction been on record in the court papers.
Architects
55. The designer of the Tajmahal is also variously mentioned as Essa Effendy, a Persian or Turk, or Ahmed Mehendis or a Frenchman, Austin deBordeaux, or Geronimo Veroneo, an Italian, or Shahjahan himself.
Records Don’t Exist
56. Twenty thousand labourers are supposed to have worked for 22 years during Shahjahan’s reign in building the Tajmahal. Had this been true, there should have been available in Shahjahan’s court papers design drawings, heaps of labour muster rolls, daily expenditure sheets, bills and receipts of material ordered, and commisioning orders. There is not even a scrap of paper of this kind.
57. It is, therefore, court flatterers, blundering historians, somnolent archeologists, fiction writers, senile poets, careless tourists officials and erring guides who are responsible for hustling the world into believing in Shahjahan’s mythical authorship of the Taj.
58. Description of the gardens around the Taj of Shahjahan’s time mention Ketaki, Jai, Jui, Champa, Maulashree, Harshringar and Bel. All these are plants whose flowers or leaves are used in the worship of Hindu deities. Bel leaves are exclusively used in Lord Shiva’s worship. A graveyard is planted only with shady trees because the idea of using fruit and flower from plants in a cemetary is abhorrent to human conscience. The presence of Bel and other flower plants in the Taj garden is proof of its having been a Shiva temple before seizure by Shahjahan.
59. Hindu temples are often built on river banks and sea beaches. The Taj is one such built on the bank of the Yamuna river an ideal location for a Shiva temple.
60. Prophet Mohammad has ordained that the burial spot of a muslim should be inconspicous and must not be marked by even a single tombstone. In flagrant violation of this, the Tajamhal has one grave in the basement and another in the first floor chamber both ascribed to Mumtaz. Those two centotaphs were infact erected by Shahjahan to bury the two tier Shivalingas that were consecrated in the Taj. It is customary for Hindus to install two Shivalingas one over the other in two stories as may be seen in the Mahankaleshwar temple in Ujjain and the Somnath temple raised by Ahilyabai in Somnath Pattan.
61. The Tajmahal has identical entrance arches on all four sides. This is a typical Hindu building style known as Chaturmukhi, i.e.,four faced.
The Hindu Dome
62. The Tajmahal has a reverberating dome. Such a dome is an absurdity for a tomb which must ensure peace and silence. Contrarily reverberating domes are a neccesity in Hindu temples because they create an ecstatic dinmultiplying and magnifying the sound of bells, drums and pipes accompanying the worship of Hindu deities.
63. The Tajmahal dome bears a lotus cap. Original Islamic domes have a bald top as is exemplified by the Pakistan Embassy in Chanakyapuri, New Delhi, and the domes in the Pakistan’s newly built capital Islamabad.
64. The Tajmahal entrance faces south. Had the Taj been an Islamic building it should have faced the west.
Tomb is the Grave, not the Building
65. A widespread misunderstandin g has resulted in mistaking the building for the grave.Invading Islam raised graves in captured buildings in every country it overran. Therefore, hereafter people must learn not to confound the building with the grave mounds which are grafts in conquered buildings. This is true of the Tajmahal too. One may therefore admit (for arguments sake) that Mumtaz lies buried inside the Taj. But that should not be construed to mean that the Taj was raised over Mumtaz’s grave.
66. The Taj is a seven storied building. Prince Aurangzeb also mentions this in his letter to Shahjahan (Refer to the Figure 1 above). The marble edifice comprises four stories including the lone, tall circular hall inside the top, and the lone chamber in the basement. In between are two floors each containing 12 to 15 palatial rooms. Below the marble plinth reaching down to the river at the rear are two more stories in red stone. They may be seen from the river bank. The seventh storey must be below the ground (river) level since every ancient Hindu building had a subterranian storey.
67. Immediately bellow the marble plinth on the river flank are 22 rooms in red stone with their ventilators all walled up by Shahjahan. Those rooms, made uninhibitably by Shahjahan, are kept locked by Archealogy Department of India. The lay visitor is kept in the dark about them. Those 22 rooms still bear ancient Hindu paint on their walls and ceilings. On their side is a nearly 33 feet long corridor. There are two door frames one at either end ofthe corridor. But those doors are intriguingly sealed with brick and lime.
68. Apparently those doorways originally sealed by
Shahjahan have been since unsealed and again walled up several times. In 1934 a resident of Delhi took a peep inside from an opening in the upper part of the doorway. To his dismay he saw huge hall inside. It contained many statues huddled around a central beheaded image of Lord Shiva. It could be that, in there, are Sanskrit inscriptions too. All the seven stories of the Tajmahal need to be unsealed and scoured to ascertain what evidence they may be hiding in the form of Hindu images, Sanskrit inscriptions, scriptures, coins and utensils.
69. Apart from Hindu images hidden in the sealed stories it is also learnt that Hindu images are also stored in the massive walls of the Taj. Between 1959 and 1962 when Mr. S.R. Rao was the Archealogical Superintendent in Agra, he happened to notice a deep and wide crack in the wall of the central octagonal chamber of the Taj. When a part of the wall was dismantled to study the crack out popped two or three marble images. The matter was hushed up and the images were reburied where they had been embedded at Shahjahan’s behest. Confirmation of this has been obtained from several sources. It was only when I began my investigation into the antecedents of the Taj I came across the above information which had remained a forgotten secret. What better proof is needed of the Temple origin of the Tajmahal? Its walls and sealed chambers still hide in Hindu idols that were consecrated in it before Shahjahan’s seizure of the Taj.
Pre-Shahjahan References to the Taj
70. Apparently the Taj as a central palace seems to have an chequered history. The Taj was perhaps desecrated and looted by every Muslim invader from Mohammad Ghazni onwards but passing into Hindu hands off and on, the sanctity of the Taj as a Shiva temple continued to be revived after every muslim onslaught. Shahjahan was the last muslim to desecrate the Tajmahal alias Tejomahalay.
71. Vincent Smith records in his book titled `Akbar the Great Moghul’ that `Babur’s turbulent life came to an end in his garden palace in Agra in 1630′. That palace was none other than the Tajmahal.
72. Babur’s daughter Gulbadan Begum in her chronicle titled Humayun Nama refers to the Taj as the Mystic House.
73. Babur himself refers to the Taj in his memoirs as the palace captured by Ibrahim Lodi containing a central octagonal chamber and having pillars on the four sides. All these historical references allude to the Taj 100 years before Shahjahan.
74. The Tajmahal precincts extend to several hundred yards in all directions. Across the river are ruins of the annexes of the Taj, the bathing ghats and a jetty for the ferry boat. In the Victoria gardens outside covered with creepers is the long spur of the ancient outer wall ending in a octagonal red stone tower. Such extensive grounds all magnificently done up, are a superfluity for a grave.
75. Had the Taj been specially built to bury Mumtaz, it should not have been cluttered with other graves. But the Taj premises contain several graves atleast in its eastern and southern pavilions.
76. In the southern flank, on the other side of the Tajganj gate are buried in identical pavilions queens Sarhandi Begum, and Fatehpuri Begum and a maid Satunnisa Khanum. Such parity burial can be justified only if the queens had been demoted or the maid promoted. But since Shahjahan had commandeered (not built) the Taj, he reduced it general to a muslim cemetary as was the habit of all his Islamic predeccssors, and buried a queen in a vacant pavillion and a maid in another idenitcal pavilion.
77. Shahjahan was married to several other women before and after Mumtaz. She, therefore, deserved no special consideration in having a wonder mausoleum built for her.
78. Mumtaz was a commoner by birth and so she did not qualify for a fairyland burial.
79. Mumtaz died in Burhanpur which is about 600 miles from Agra. Her grave there is intact. Therefore, the centotaphs raised in stories of the Taj in her name seem to be fakes hiding in Hindu Shiva emblems.
80. Shahjahan seems to have simulated Mumtaz’s burial in Agra to find a pretext to surround the temple palace with his fierce and fanatic troops and remove all the costly fixtures in his treasury. This finds confirmation in the vague noting in the Badshahnama which says that the Mumtaz’s (exhumed) body was brought to Agra from Burhanpur and buried `next year’. An official term would not use a nebulous term unless it is to hide some thing.
81. A pertinent consideration is that a Shahjahan who
did not build any palaces for Mumtaz while she was alive, would not build a fabulous mausoleum for a corpse which was no longer kicking or clicking.
82. Another factor is that Mumtaz died within two or three years of Shahjahan becoming an emperor. Could he amass so much superflous wealth in that short span as to squander it on a wonder mausoleum?
83. While Shahjahan’s special attachment to Mumtaz is nowhere recorded in history his amorous affairs with many other ladies from maids to mannequins including his own daughter Jahanara, find special attention in accounts of Shahjahan’s reign. Would Shahjahan shower his hard earned wealth on Mumtaz’s corpse?
84. Shahjahan was a stingy, usurious monarch. He came to throne murdering all his rivals. He was not therefore, the doting spendthrift that he is made out to be.
85. A Shahjahan disconsolate on Mumtaz’s death is suddenly credited with a resolve to build the Taj. This is a psychological incongruity. Grief is a disabling, incapacitating emotion.
86. A infatuated Shahjahan is supposed to have raised the Taj over the dead Mumtaz, but carnal, physical sexual love is again a incapacitating emotion. A womaniser is ipso facto incapable of any constructive activity. When carnal love becomes uncontrollable the person either murders somebody or commits suicide. He cannot raise a Tajmahal. A building like the Taj invariably originates in an ennobling emotion like devotion to God, to one’s mother and mother country or power and glory.
87. Early in the year 1973, chance digging in the garden in front of the Taj revealed another set of fountains about six feet below the present fountains. This proved two things. Firstly, the subterranean fountains were there before Shahjahan laid the surface fountains. And secondly that those fountains are aligned to the Taj that edifice too is of pre Shahjahan origin. Apparently the garden and its fountains had sunk from annual monsoon flooding and lack of maintenance for centuries during the Islamic rule.
88. The stately rooms on the upper floor of the Tajmahal have been striped of their marble mosaic by Shahjahan to obtain matching marble for raising fake tomb stones inside the Taj premises at several places. Contrasting with the rich finished marble ground floor rooms the striping of the marble mosaic covering the lower half of the walls and flooring of the upper storey have given those rooms a naked, robbed look. Since no visitors are allowed entry to the upper storey this despoilation by Shahjahan has remained a well guarded secret. There is no reason why Shahjahan’s loot of the upper floor marble should continue to be hidden from the public even after 200 years of termination of Moghul rule.
89. Bernier, the French traveller has recorded that no non muslim was allowed entry into the secret nether chambers of the Taj because there are some dazzling fixtures there. Had those been installed by Shahjahan they should have been shown the public as a matter of pride. But since it was commandeered Hindu wealth which Shahjahan wanted to remove to his treasury, he didn’t want the public to know about it.
90. The approach to Taj is dotted with hillocks raised with earth dugout from foundation trenches. The hillocks served as outer defences of the Taj building complex. Raising such hillocks from foundation earth, is a common Hindu device of hoary origin. Nearby Bharatpur provides a graphic parallel. Peter Mundy has recorded that Shahjahan employed thousands of labourers to level some of those hillocks. This is a graphic proof of the Tajmahal existing before Shahjahan.
91. At the backside of the river bank is a Hindu crematorium, several palaces, Shiva temples and bathings of ancient origin. Had Shahjahan built the Tajmahal, he would have destroyed the Hindu features.
92. The story that Shahjahan wanted to build a Black marble Taj across the river, is another motivated myth. The ruins dotting the other side of the river are those of Hindu structures demolished during muslim invasions and not the plinth of another Tajmahal. Shahjahan who did not even build the white Tajmahal would hardly ever think of building a black marble Taj. He was so miserly that he forced labourers to work gratis even in the superficial tampering neccesary to make a Hindu temple serve as a Muslim tomb.
93. The marble that Shahjahan used for grafting Koranic lettering in the Taj is of a pale white shade while the rest of the Taj is built of a marble with rich yellow tint. This disparity is proof of the Koranic extracts being a superimposition .
94. Though imaginative attempts have been made by some historians to foist some fictitious name on history as the designer of the Taj others more imaginative have credited Shajahan himself with superb architechtural proficiency and artistic talent which could easily concieve and plan the Taj even in acute bereavment. Such people betray gross ignorance of history in as much as Shajahan was a cruel tyrant ,a great womaniser and a drug and drink addict.
95. Fanciful accounts about Shahjahan commisioning the Taj are all confused. Some asserted that Shahjahan ordered building drawing from all over the world and chose one from among them. Others assert that a man at hand was ordered to design a mausoleum amd his design was approved. Had any of those versions been true Shahjahan’s court papers should have had thousands of drawings concerning the Taj. But there is not even a single drawing. This is yet another clinching proof that Shahjahan did not commision the Taj.
96. The Tajmahal is surrounded by huge mansions which indicate that several battles have been waged around the Taj several times.
97. At the south east corner of the Taj is an ancient royal cattle house. Cows attached to the Tejomahalay temple used to reared there. A cowshed is an incongruity in an Islamic tomb.
98. Over the western flank of the Taj are several stately red stone annexes. These are superflous for a mausoleum.
99. The entire Taj complex comprises of 400 to 500 rooms. Residential accomodation on such a stupendous scale is unthinkable in a mausoleum.
100. The neighbouring Tajganj township’s massive protective wall also encloses the Tajmahal temple palace complex. This is a clear indication that the Tejomahalay temple palace was part and parcel of the township. A street of that township leads straight into the Tajmahal. The Tajganj gate is aligned in a perfect straight line to the octagonal red stone garden gate and the stately entrance arch of the Tajmahal. The Tajganj gate besides being central to the Taj temple complex, is also put on a pedestal. The western gate by which the visitors enter the Taj complex is a camparatively minor gateway. It has become the entry gate for most visitors today because the railway station and the bus station are on that side.
101. The Tajmahal has pleasure pavillions which a tomb would never have.
102. A tiny mirror glass in a gallery of the Red Fort in Agra reflects the Taj mahal. Shahjahan is said to have spent his last eight years of life as a prisoner in that gallery peering at the reflected Tajmahal and sighing in the name of Mumtaz. This myth is a blend of many falsehoods. Firstly, old Shajahan was held prisoner by his son Aurangzeb in the basement storey in the Fort and not in an open, fashionable upper storey. Secondly, the glass piece was fixed in the 1930′s by Insha Allah Khan, a peon of the archaelogy dept.just to illustrate to the visitors how in ancient times the entire apartment used to scintillate with tiny mirror pieces reflecting the Tejomahalay temple a thousand fold. Thirdly, a old decrepit Shahjahan with pain in his joints and cataract in his eyes, would not spend his day craning his neck at an awkward angle to peer into a tiny glass piece with bedimmed eyesight when he could as well his face around and have full, direct view of the Tjamahal itself. But the general public is so gullible as to gulp all such prattle of wily, unscrupulous guides.
103. That the Tajmahal dome has hundreds of iron rings sticking out of its exterior is a feature rarely noticed. These are made to hold Hindu earthen oil lamps for temple illumination.
104. Those putting implicit faith in Shahjahan authorship of the Taj have been imagining Shahjahan-Mumta z to be a soft hearted romantic pair like Romeo and Juliet. But contemporary accounts speak of Shahjahan as a hard hearted ruler who was constantly egged on to acts of tyranny and cruelty, by Mumtaz.
105. School and College history carry the myth that Shahjahan reign was a golden period in which there was peace and plenty and that Shahjahan commisioned many buildings and patronized literature. This is pure fabrication. Shahjahan did not commision even a single building as we have illustrated by a detailed analysis of the Tajmahal legend. Shahjahn had to enrage in 48 military campaigns during a reign of nearly 30 years which proves that his was not a era of peace and plenty.
106. The interior of the dome rising over Mumtaz’s centotaph has a representation of Sun and cobras drawn in gold. Hindu warriors trace their origin to the Sun. For an Islamic mausoleum the Sun is redundant. Cobras are always associated with Lord Shiva.
Forged Documents
107. The muslim caretakers of the tomb in the Tajmahal used to possess a document which they styled as Tarikh-i-Tajmah al. Historian H.G. Keene has branded it as a document of doubtful authenticity. Keene was uncannily right since we have seen that Shahjahan not being the creator of the Tajmahal any document which credits Shahjahn with the Tajmahal, must be an outright forgery. Even that forged document is reported to have been smuggled out of Pakistan. Besides such forged documents there are whole chronicles on the Taj which are pure concoctions.
108. There is lot of sophistry and casuistry or atleast confused thinking associated with the Taj even in the minds of proffesional historians, archaelogists and architects. At the outset they assert that the Taj is entirely Muslim in design. But when it is pointed out that its lotus capped dome and the four corner pillars etc. are all entirely Hindu those worthies shift ground and argue that that was probably because the workmen were Hindu and were to introduce their own patterns. Both these arguments are wrong because Muslim accounts claim the designers to be Muslim, and the workers invariably carry out the employer’s dictates.
The Taj is only a typical illustration of how all historic buildings and townships from Kashmir to Cape Comorin though of Hindu origin have been ascribed to this or that Muslim ruler or courtier.
It is hoped that people the world over who study Indian history will awaken to this new finding and revise their erstwhile beliefs.
Those interested in an indepth study of the above and many other revolutionary rebuttals may read Shri P.N. Oak’s other research books.
Proofs with Photo Graphs Visit at Research of Stephen-Knapp](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_tJt_h53AHT3YRwPqjOxZgBJR3my4l7cYmr1b_NPZtY66FDUbx7ycvL9aC3KrdnjfWxKNFOetyRhOKPyKdy0wWzjTgbC1bQ3gw7Cd_QoMsh4vmfbGUoca2tEcXxV6CzVxlTWjgo13Uh1bPj3gu-vxOaf1t5Pv_89tb9NXmjwWc0o7E=s0-d)